15,417 Royalty-Free Audio Tracks for "Bwv 871 – Prelude And Fugue No. 2 In C Minor From The Well Tempered Clavier Ii"

*Bohlen-Pierce eleven steps on C = A♯/B♭. 311/13 = 409.35 cents. MIDI pitch bend: 126,66

*Bohlen-Pierce four steps on C = F. 34/13 = 585.22 cents. MIDI pitch bend: 34,59

*Bohlen-Pierce ten steps on C = A. 310/13 = 1463.04 cents. MIDI pitch bend: 22,52 1463.04-1200=263.04 cents

*Bohlen-Pierce eight steps on C = H♯/J♭. 38/13 = 1170.43 cents. MIDI pitch bend: 68,54

*Bohlen-Pierce six steps on C = G. 36/13 = 877.83 cents. MIDI pitch bend: 115,56

*Bohlen-Pierce nine steps on C = J. 39/13 = 1316.74 cents. MIDI pitch bend: 45,69 1316.74-1200=116.74 cents.

*Bohlen-Pierce twelve steps on C = B. 312/13 = 1755.65 cents. MIDI pitch bend: 103,49 1755.65-1200= 555.65 cents.

*Bohlen-Pierce seven steps on C = H. 37/13 = 1024.13 cents. MIDI pitch bend: 92,71

*Bohlen-Pierce five steps on C = F♯/G♭. 35/13 = 731.52 cents. MIDI pitch bend: 11,74

*Bohlen-Pierce clarinet unison on C = C. Just: 1/1 = 0 cents. MIDI pitch bend: 0,64

*Bohlen-Pierce two steps on C = D. 32/13 = 292.61 cents. MIDI pitch bend: 81,61

*Bohlen-Pierce one step on C = C♯/D♭. 31/13 = 146.30 cents. MIDI pitch bend: 104,78

Wax disk was copied to 78rpm acetate disk around 1960 then transferred to CD Rom in the 1980s and finally downsampled to consumer format. Original wax disk still held by family.

UC Davis's version of the college fight song "Big C"

Full diatonic fifteenth chord from Listz on B

Fifteenth chord from Perry on C

Hayom Teamtzenu composed by David Roitman

The Star-Spangled Banner (the American national anthem) being performed in 1915 by Margaret Woodrow Wilson, daughter of American President Woodrow Wilson. This recording was made as a souvenir for the Panama Pacific International Exposition and part of its profits were given to the American Red Cross. The record plate is Columbia Records number 1685 (39764). Originally manufactured by Columbia Graphophone Company.

Uvmikhalos Rivevos by David Roitman

V'chol Boei Olom composed by David Roitman

L'Dovid Mizmour by David Roitman.

Ascending melodic minor scale on A.

Cello concerto in e minor, op. 85 - iv. allegro, Op. 85

The first three, and final verses of Through the Years. Originally "Tyle Lat" and later translated into English. Written c. 1920 by Francis Hodur, and translated in 1921 by the Fourth Synod of the PNCC.

Reconrding by Arthur Collins. Albany Indestructible cylinder #1459

Ort: Vapsten (sameby) / Tärna (socken)

Sveriges Radios folkmusikinspelningar. Författarträff i Brottby Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 56/10198:2:1

Sveriges Radios folkmusikinspelningar. Författarträff i Brottby Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 56/10198:7:7

Ort: Umbyn (sameby) / Stensele (socken)

Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload

Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload

Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload

Measure 4 from Ludwig van Beethoven's Piano Sonata No. 8 (Pathetique), Op. 13. This example demonstrates nonuplet 128th notes (semihemidemisemiquavers), 64th notes (hemidemisemiquavers), and one 32nd note (demisemiquaver).

Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload

Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload

Piano Sonata no. 15 in D major op.28 "Pastoral" - I. allegro by Karine Gilanyan

Johannes Brahms - concerto in a minor, op. 102 'double concerto' - iii. vivace non troppo (double concerto)

1st release date: 1942 1st recording date: 29 August 1942 Place of recording: unknown Author(s)/Composer(s): George Frideric Handel (1685-1759) Music arranger(s): Sir Hamilton Harty (1879-1941) Lyricist(s): none Conductor: Sir Malcolm Sargent (1895-1967) Performer(s): The Hallé Vocal range: instrumental Title/Work: Water Music, HWV 348-350 Content: Suite in F major, HWV 348: Allegro deciso Genre(s): Suites

Pythagorean diatonic scale on C. + indicates the syntonic comma.

5-tet scale on C. Pitch bend matches intervals.

King Champagne from Die Fledermaus by Johann Strauss II performed by the Singing Sergeants and Concert Band of the United States Air Force Band. Track 16 from Wintertime (1999).

Johann Strauss II's overture to the opera The Gypsy Baron, played by the U.S. Marine Band for the album Overtures.

A ragtime composed by W. C. Handy and recorded by Handy's Orchestra of Memphis in 1917 in New York.

Coronation scene from Boris Godunov

Piano Sonata No. 8 (Beethoven) second movement (Adagio cantabile) 12 KB, 5:03 minutes

Enregistrement de l'exposition coloniale. Musique traditionnelle. Chanson lingala. Chant d'invitation à danser / Mmes Maboumana, Badolo, Mahoukou... [et al.], chant ; accompagnement de sanza et de battements de mains. Tradycyjna kongijska piosenka w języku lingala nagrana w 1931 roku podczas międzynarodowej wystawy kolonialnej (fr. exposition coloniale internationale) w Paryżu. Čeština: Tradiční píseň z Konga v jazyce ngalština předváděná v roce 1931 na výstavě Paris Colonial Exposition v Paříži. Traditional Congolese song in Lingala recorded in 1931 at the Paris Colonial Exposition. Македонски: Конгоанска народна песна на јазикот лингала. Снимка од Париската колонијална изложба, 1931 г. Традиционная конголезская песня на лингала, записанная в 1931 году на Парижской колониальной выставке.

Stars and Stripes Forever March, by John Philip Sousa, performed by Sousa's Band for Edison Records in November 1909. This is Edison Amberol cylinder number 4M-285 (A- ..22). It is NPS object catalog number: EDIS 36682

Harry Connick, Jr. and band playing "When the Saints Go Marching In". Harry Connick, Jr. plays a Steinway grand piano. (The singer is a child from the audience that Harry Connick, Jr. has invited up on the stage to sing). Harry Connick Junior et son orchestre, interprétant When the Saints Go Marching In le 21 février 2010 lors d'un concert à la Maison-Blanche à Washington, District de Columbia, aux États-Unis. L'enfant qui l'accompagne a été choisi dans l'assistance et invité à venir chanter sur scène.

Part 5 (two ruffles and flourishes and "General's March") of a basic outdoor parade sequence performed by the Ceremonial Band of the United States Air Force Band of the West. Track 15 from Facets! (1992). Captain Steven Grimo, Commander. Lieutenant Danny Varella, Vice Commander.